Improvisation in situ is the source of my music work (outdoor or architectural).
Over time I could qualify these searches as intuitive.
Minimalism with acoustic instruments and objects is at the centre of my first compositions/improvisations, as well as the abstract voice as of 2017. Things evolve and continue to surprise me every day.
Work on the object is strongly influenced by the presence of wood (assemblage/assembling, sculpture, installation) but also glass, leather, felt and other natural materials (if possible found or recycled).
The objects and abstract paintings can at times be similar to sound compositions in 2 or 3 dimensions.
Besides the intuition present here too, I keep a special attention for the encounter between human gesture and the form (organic, natural, accidental, intuitive, minimalist).Each of these disciplines can occupy the architectural space, place par excellence of the gesture and the shape _’the gesture in the shape’.
Storage of stolen images in the form of figurative paintings retraces, the human migrations mental and physical.
That can inspire my path or express my disagreement.

https://www.pierregerard.eu/